Antarian Vanguard

A tight, photographic close‑up of two opposing 6mm sci‑fi armored formations facing off across a narrow urban street. On one side, angular, gunmetal grey hover tanks with glowing blue engine vents; on the other, squat, heavily armored tracked vehicles in matte olive with hazard stripes. The street is lined with modular, mid‑rise sci‑fi buildings, some blasted open to expose twisted interior girders and scorched walls. Focused, cool studio lighting rakes across the miniatures from the right, creating crisp highlights on armor plates and soft shadows beneath. A shallow depth of field keeps the leading tanks razor sharp while the rear echelon gently blurs. The atmosphere is cinematic and suspenseful, suggesting the moment before a decisive volley. Photographic realism, clean and modern composition tailored for a professional rules overview section.

Event Roster

Track upcoming Antarian Vanguard tournaments, campaign days, and demo nights across friendly local stores.

Battle Events

2026-04-17

Eastern Iowa Community College

Davenport IA

Reserve spot

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2026-04-18

Eastern Iowa Community College

Davenport IA

Reserve spot

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Signal Relay

Command Uplink

A neatly organized, photographic overhead shot of an Antarian Vanguard game in progress on a compact gaming mat, emphasizing tactical clarity. The battlefield features hexed or subtly gridded terrain with low alien hills, modular bunkers, and scatter terrain like blasted power conduits. Units of 6mm mechs, light skimmers, and infantry stands are positioned mid‑maneuver, with colored order tokens and precision acrylic measuring tools placed nearby. Neutral, even studio lighting from above reduces harsh shadows, making every game element easily readable. The color palette is balanced and professional, with muted terrain tones offset by brighter unit accents. The mood is focused and analytical, conveying thoughtful decision‑making rather than chaotic brawling. Shot with sharp focus throughout and a centered, top‑down composition, ideal for explaining core mechanics and turn structure in a rulebook or website tutorial section.
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Fleet Command

A clean, photographic workspace scene featuring the components of Antarian Vanguard laid out for a new player. On a dark, textured tabletop rests a neatly folded neoprene game mat, several platoon trays of 6mm sci‑fi miniatures in various color schemes, a stack of sleek, graphic design unit cards, custom six‑sided dice, and transparent acrylic measuring sticks. A closed, logo‑branded game box sits in the background, partially blurred but recognizable. Soft, diffused studio lighting from both sides minimizes glare and provides an even, professional look, with subtle reflections on acrylic edges and dice pips. The composition is slightly angled from above, using asymmetrical balance to draw the eye from miniatures to rules materials. The mood is inviting and organized, suggesting an accessible yet deep tactical experience. Photographic realism and a clean, modern aesthetic, perfect for a “What’s in the Box” or Getting Started section.

Timothy Foster

A dramatic, photographic battlefield night scene showcasing an Antarian Vanguard planetary assault. Sleek drop‑ships with extended landing struts sit on a rough, cratered landing zone, their metallic hulls painted in dark navy with bright, glowing engine intakes. Around them, 6mm armored units deploy between jagged rock formations and low defensive walls, weapon muzzles accented with faint simulated muzzle‑flash effects using LEDs or subtle post‑processing. The environment is illuminated by a cool, bluish overhead key light suggesting moonlight, combined with warmer, localized lights on the ships and vehicles, creating contrasting pools of light and deep shadows. Thin swirling ground fog made from cotton gives a sense of alien atmosphere without obscuring miniatures. Shot from a slightly elevated three‑quarter angle with selective focus, the mood is tense and clandestine, ideal for narrative scenario or campaign imagery in a professional rules supplement.

Daniel Tilburg

A cinematic, low‑angle photographic shot of a towering 6mm sci‑fi walker striding through a ruined industrial complex. The walker’s armor is matte charcoal with subtle panel lining, glowing red sensor clusters, and articulated weapon arms bristling with barrels. Around its feet, tiny infantry stands and smaller vehicles advance between shattered pipelines, collapsed gantries, and cracked concrete platforms. Directional studio lighting from behind and above the walker creates a strong rim light around its silhouette, casting long, dramatic shadows across the terrain. Wisps of simulated battlefield smoke made from cotton or translucent fiber add atmosphere without obscuring detail. The composition uses the rule of thirds, with the walker off‑center, conveying unstoppable momentum. The mood is bold and heroic, emphasizing cinematic spectacle while maintaining crisp photographic realism for use on a factions or unit showcase page.

Michael Heater

A dramatic overhead photographic view of a detailed 6mm sci‑fi battlefield laid out on a dark, matte gaming table. Tiny, meticulously painted armored walkers, grav tanks, and infantry stands in crisp unit formations clash between modular city ruins and rocky alien outcrops. Translucent blast markers and glowing acrylic templates highlight active combat zones. Cool, directional studio lighting from the upper left creates sharp, cinematic contrasts, emphasizing metallic edges and dust‑weathered textures on the miniatures. The background falls into a soft bokeh, keeping focus on the central engagement. The mood is tense and tactical, evoking a high‑stakes battle in progress. Shot in sharp photographic realism with a slightly elevated angle, composed using the rule of thirds to lead the eye along the main battle line, clean and professional for a game’s homepage hero image.

James Cravero